Josephy Library Postings
| Josephy and Loeffler--Jan 2010 |
| April 2010 |
| Josephy and Andy Warhol |
| Josephy and the Indians lecture |
| Visit the Josephy Library Online |
Update, April 2010
Dear Friends,
Library Update, September 2009 - Josephy and Andy Warhol
August 27, 2009
Dear Friends of Fishtrap and the Josephy Library,
I am writing to ask for your help.
But first let me tell you what is happening with the Josephy Library. The enclosed brochure says much of it, but there is more. The books we have cataloged already make a great collection for writers and scholars, and we are at a small fraction of the total. I am talking with the Josephy family and scholars about Alvin’s work, and each day brings excitement of one kind or another around that work.
I knew Alvin through his books and a friendship built around them, his help in getting Fishtrap going, and years of conversation about many things. But I did not really see the extent of his advocacy for Indian people until going through a box of magazine and journal articles that came from the Greenwich house. There is a story on the Custer Battlefield in Life Magazine in 1971, in which he told the world that government "interpreters" were still calling Indians "savages" and Custer a military hero. And one in Learning Magazine in 1973, in which he said that history text books then in use in American schools contained "numerous misrepresentations, distortions and ethnocentric anti-Indian interpretations, or–just as bad–omitted any mention at all of Indians, as if they had never existed."
There are other stories, some in national publications like the New York Times, others in Idaho Yesterdays and other small journals. For over half a century Alvin brought his extensive historical scholarship and first person knowledge of the situation in Indian Country to the public.
So this Library project is not purely academic, or is academic in the best sense of the word. It will make Alvin’s work, much of his personal library, and the work of over 300 other Fishtrap writers easily available to poets, novelists, historians, and students, to people who, as Alvin would have said, "are trying to get history right."
Sometimes I feel like a mother with an overdue child.. When Alvin and I started talking about the library almost ten years ago, I assumed that 2009 would see us up and running in a fine new building adjoining our Coffin House. But a couple of things happened on the journey. First, the director transition. Although Rick Bombaci and I have a great working relationship, the search process itself took almost a year, and the process of handing over the big and small things–names, addresses, books, themes, and ideas garnered over 21 years–has taken its own measure of time and energy.
More importantly, the economic climate that greeted Rick as the new Director and me finally getting the Library off the ground is a drastically different one than the one in which I had talked with major foundations over several years. Earlier enthusiasm has been replaced with "no requests for capital expenditures this year; concentrate on your core programs."
So we–Fishtrap–did. I backed off on capital grants and began the process of getting the Library up and running, with plans to raise the capital for a new building as the economy improves and we prove the worth of what we are doing. Fortunately, we had a few dollars in the Library account as I slid across the Fishtrap House to my new job at the beginning of the year, and fortunately the Lamb Foundation came to us with yet another grant. (They had funded the original planning and architectural work four years ago.)
I am now writing a few small grants for Library activities, and will begin writing big grants for remodeling the Coffin House and building the Library addition soon. Meanwhile, operating expenses for the Library are about $35,000 per year, and we need $15,000 to get us through the end of 2009–and then $35,000 again for the 2010 calendar year. So your gifts this year and next will be the take-off money that gets the rest of the books cataloged and the first writers poking through stacks to see some of what Alvin saw and built over 70 years as a writer.
I promise to keep you informed as this happens, and to let you know about new publications of Alvin’s own work and new uses of his scholarship by writers today.
Thank you for your continuing support!
rich
Jack McClaran, Alvin Josephy, and the power of story
On Tuesday night, April 14, Jack McClaran spoke to over 150 people at the Oddfellows Hall in Enterprise about his experiences in WW II. He began the evening with a nod to Alvin Josephy–they had talked about the importance of telling the important stories of our lives as Alvin wrote his "Walk Towards Oregon"–and then described in vivid detail his own War.
The crowd included a very few WW II vets, a sprinkling of vets from other wars, students from the local high schools, and Jack’s children and grandchildren. (The people who carry these stories are getting on in years–most of them in fact are gone.)
Jack was a sheep ranching kid from the Wallowa Snake River country who graduated from Lewiston High in the spring of 1944, was immediately drafted, and by fall-winter of 1944 was in a tank driving the Germans east across the Rhine River. They went on to Buchenwald and helped pull the remnants of a sick and dying population of Jewish, RAF, and other Nazi dissident survivors back to life. He told us that the stench of that camp was different than and worse than any smell we’d ever smelled, and described the deep hand-scratched grooves on the wall along a conveyer where humans were hung by their collarbones like animal carcasses in a slaughterhouse and pulled into crematoriums.
Jack gave us context and asked us to think–he talked about 20 million Russians dead on the Eastern Front, and of 6,000 Russian and German tanks at each other in the largest pitched tank battle in history. He talked of the horror of the Nazi's "final solution," and wondered at man's inhumanity to man. He wondered at our own country's treatment of Indians, and of Japanese-Americans during the War.
Tanks, he said right at the beginning of his talk, are designed for one thing, to kill people. Later, he returned to tanks as "killing machines" not only for the enemy combatants, but for the soldiers inside them. After chasing the Germans up to the Rhine and retreating into Holland, they went forward again; getting back into that tank was maybe the hardest thing he’d ever done. Closer to the end of his talk, Jack explained that the "killing machine" referred not only to the enemy, but to the men inside the tanks. But even death was trumped by something worse: tankers’ greatest fear, he said, was not being killed, but being trapped inside and burned alive. Those recruiting posters of men hopping happily out of tanks should be replaced with reality, with burning men being blown out of tanks.
Alvin Josephy’s recollections of WW II in the Pacific are among the most vivid in his memoir. I remember traveling with him on book tour with Walk Towards Oregon, remember the many vets standing in lines to get a books signed, and then quietly reciting their units and the places they had fought, the places in which they had watched people live and die.
It’s my belief that Alvin’s war experience as a Marine correspondent gave him unique and essential training for his later work as a historian of and advocate for American Indians. Of course, before the War he had already worked as a newspaper and radio journalist, and tried his hand at play writing in New York and screen writing in Hollywood. These too prepared him for Indian history.
In the Pacific he met not only generals and admirals–some of them important in the overall conduct of the War–but thousands of ordinary men on ships, landing crafts, and in fox holes. He listened to them and sent their stories back to hometown newspapers and the New York Times. He trusted their stories and honored them in the retelling.
Years later, when he met the Nez Perce at Lapwai and heard his first bits of story about them and "their" war, his old war corespondent’s nose and screenwriter’s ear drove him to get the rest of their story–one of the great American epics, he immediately recognized. Unlike the professional historians of the day, he was not constrained by official documents and reports–most of which had been prepared by white men. When he found first person accounts in Hear Me My Chiefs he exulted and determined to tell the story himself. He went to Colville to meet Joseph Band Descendants, and, very importantly, found three aging survivors of the War of 1877. He listened in sweat lodges and at powwows, and listened for the Indian voices behind the treaties and official documents written by white men.
Someday, I believe, someone will write the story of Alvin’s important work with and among the Indians. They will fill out the brief outline he gives in Walk Towards Oregon with others’ memories and stories. I hope the Josephy Library here at Fishtrap will help in this work. And, as part of that effort, I invite you out there, family members, friends, and colleagues, to tell your stories about Alvin and Betty, especially about their work with Indians, but other things too. We don’t know now what future writers will find important, how they will find links that are not evident to us as we sit at our own desks. I don’t know which of you might rise to tell this Josephy story–or all the other stories of the West which Alvin held so dear.
As for me, I plan to get together with Jack and Marge McClaran, who were great friends with Alvin and Betty here in the Wallowas, to reminisce and reconstruct decades of conversations about history and the big people and foxhole grunts who live and make it.
Be well, and stay in touch!
rich
Josephy Library update – March 5, 2009
"Captive City"
Last fall friend Mike Rosenbaum, an eastern Oregon transplant from New York City who has developed a deep interest in and affection for Nez Perce history and culture, showed up in my office with a DVD of the film, "Captive City." I knew that this was the film that Alvin helped write, and that it was based on his experiences on small town newspapers in post-war Southern California. "This is for the Library," Mike said.
I finally watched the film this week, and it sent me tumbling back in time to conversations with Alvin, to my meetings with Herb Chase, the friend who got Alvin involved with Southern California newspapers, and to meeting Herb’s daughter, Anne, here in Wallowa County. It was Alvin’s last summer here, and Herb and Anne were in fact with him at the Chief Joseph Days Powwow when he collapsed, and they stayed with him until daughters Allison and Diane came and nursed him back to traveling shape and took him to his "other home" in Connecticut.
I also went back to "A Walk Toward Oregon," Alvin’s so aptly named memoir, to check on Herb and the events that led up to Captive City. It was the 1940s in Southern California. Alvin was taking another stab at screen-writing–he’d worked some as a "junior scriptwriter" in the 1930s–and getting discouraged. The discouragement was not only that his own scripts were not getting produced, but that the studio bosses were not interested in drama about real problems in the real world; but in lavish escapist entertainment. That, and political witch hunts that ended up in black listings of actors and writers expected of communist sympathies.
Alvin had become very active in various veterans organizations, and was writing a column for a group of weekly suburban newspapers owned by Henry Luce of Time Magazine–Luce’s attempt to take on the large Los Angeles dailies. Luce’s ploy failed, Herb Chase–also a Marine vet–picked up seven of the weeklies and convinced Alvin to continue writing his veterans column and to do a little additional moonlight reporting while getting his studio pay checks–until the newspaper business became profitable.
Alvin’s words now flood back: "It wasn’t World War II that brought the country together; it was the GI Bill." His columns reflected veterans’ problems with jobs, education, families, housing and what all that the GI Bill–which passed by one Congressional vote!–smoothed, and that led to the largest expansion of the middle class in history.
Alvin was crusading for veterans with his pen and as an officer in veterans organizations. His own first marriage was at least in part a war casualty–"like the marriage of too many veterans I knew, ours broke up." And studios were not making the kind of movies that he thought important.
On the bright side, he met and married Betty Peet while in California. And his friend Herb Chase gave him a platform for reporting and commentary on veterans affairs and politics in general. And this is where Herb’s daughter Anne comes into the picture. As we waited in hospital rooms while they treated Alvin, she told me stories of Herb and Alvin and their friends in those California days. Alvin and Betty had daughter Diane from Alvin’s first marriage during summer months, and she was soon joined by young Alvin and Allison. As Anne tells it, the batch of friends–check the photo of a luau celebration of Chase’s first newspaper anniversary on page 231 of your copy of Walk Toward Oregon–were mostly vets. Vets who had turned back the Nazis and defeated the Japanese Imperialists. And they weren’t going to skimp on pleasure or sit still for corruption back in the States. They played hard and worked hard, she said.
And now back to "Captive City." Alvin came onto a gambling racket in Santa Monica while working for Herb, and it turned out that the small-time gambling operation was gaining big-time connections to organized crime. Crusading Alvin–remember, he’d interviewed Trotsky in Mexico and walked to the beach in Guam–kept digging. Soon he and Betty were being staked out by big-time thugs, and city fathers were urging Herb and Alvin to back off. They didn’t–but as I recall, it was really Senator Kefauver’s Committee on Organized Crime that saved the day. I remember Alvin telling me that they happily turned over all their stuff to the Committee.
And then he wrote the story and sold it to a studio, which hired Robert Wise (who later did "West Side Story" among others) to direct. Alvin co-wrote the script, actor John Forsythe played Alvin and Joan Camden played Betty. And Senator Kefauver himself mades a little speech at the end of the movie about the fight against organized crime.
By 1952, when the movie came out, Alvin had moved on to Time Magazine, which would eventually lead him to Indians and Oregon. "Captive City" doesn’t rate more than a mention in Alvin’s own book–it’s not something he considered a high point in his life or career as a writer–but watching the movie now took me back to a young man and a time full of idealism and hope. It followed directly on a time of great fear and sacrifice, and Alvin and his buddies, the ones who made it back from that horrible War, were ready to take on the next so and sos who threatened family and country no matter what their stations in life or class or politics.
Rich Wandschneider
March 5, 2009
P.s. Alvin.s daughter, Allison Josephy Wolowitz, told me today that "Captive City" was broadcast on Turner Classics Wednesday night! Did anyone else see it?
Dear Friends of Fishtrap and the Josephy Library,
I’m writing because you have expressed an interest in the development of the Josephy Library– or because I know that you were friends of Betty and Alvin’s and interested in his work. If I am in error, please let me know; if you know others who might be interested in this project, let me know that too. I’m writing to let you know where things stand at the end of February, 2009.
The last few months have been trying times for the country, for Fishtrap, and for me. In reverse order, I now have a couple of grandkids living with me full-time, so my half-time work at Fishtrap is accompanied by a full-time parenting job. No complaints, but it sure changes things!
The Fishtrap director transition has of course been more complicated and time and energy consuming than we had anticipated. I had two primary reasons for stepping aside: first, for Fishtrap to be a viable non-profit organization, it was necessary for it to get past its "founding director"; and second, I wanted the time to put together the Josephy Library that Alvin and I began talking about some ten years ago!
We had a great transition plan, and we had it funded. But after a year-long search, after meeting people in Portland, flying a couple of them to Wallowa County, and offering the job to a candidate that everyone agreed on—he turned us down. There was no consensus on a second choice, but long-time development director Rick Bombaci reconsidered–he had not applied–and agreed to take the job himself. He had a long distance hike in Canada to attend to, and this fall began settling into the job. This meant "rearranging" staff assignments and hiring a new development person as I slid into the Josephy Library position. All of which took more time and energy than any of us thought it would. But Rick is settling in and the staff is comfortable and programs are doing well. We’re about to finish a very successful community "Big Read" of "Call of the Wild" and Winter Fishtrap last weekend was sold out and will live on in new writing and thinking about "wild" and "wilderness"!
As you know, the funding picture for non-profits across the country is tenuous. I believe we are in better shape than most non-profits because our programs are diverse and serve a wide audience of local community people and writers and readers in the region. Attendance at events has remained high and foundation grants and private donations are holding close to projections. We are, however, keenly aware of the need to keep core programs fully funded, to not compromise them for capital projects.
Frankly, our foundation friends, people I have talked to about this project for years, have similar attitudes–make sure core programs are funded and running strong. "Come to us for capital in 2010," a few of them have said.
All of which has led to a revisioning of my tasks and the development of the Josephy Library. We havedivided it into three segments: 1. Remodel and restoration of existing building; 2.Development of the library and making it operational this calendar year; and 3. Construction of the new Josephy Library addition.
1. Remodeling: restoring external, and as far as possible internal appearances to the building’s century old self and upgrading heat, windows, insulation, etc to make it all more comfortable and efficient. All construction will be done so that it will tie in easily with new building construction. This segment includes making half of the second floor the temporary home for the Josephy Library. There will be enough room to catalog and shelve some 3,000 volumes, all of current holdings.
2. Library development: Writing library policies, buying and implementing a cataloging program, and building relations with sister libraries and educational institutions across the region; and
3. Although we expect no large capital grants or gifts this year, I have to be working towards them, writing the grants, letting people know who and what we are. Fortunately, we have a set of preliminary architectural plans as a result of a generous grant from the Lamb Foundation a couple of years ago.
We do have an invitation to write a "restoration grant" to an Oregon based foundation. We will turn that in next week. We also have offers of discounts on building materials and some volunteer labor, all of which can be counted as "in-kind." We are working on a budget right now, and anticipate it will be between $70,000 and $90,000. I will keep you posted as we walk our way through this process. If you are interested in the details of this part of the project, or have ideas on sources of funding or building materials, please let me know.
I will also keep you posted on the large last stage–funding and building the new digs. Again, if you have ideas, please let me know.
Right now I am concentrating on #2–getting the Library up and running. My goal is to have people using the library this summer! Volunteer librarian Shannon Maslach and I are working on policies and considering cataloging program options In addition to the cataloging program, we will need an additional computer, some office supplies, travel, and part of my half-time salary. The total budget for #2 is $35,000, and most of it will have to come from private donations.
I plan to give a lecture here at Fishtrap on "Alvin and the Indians" this spring, and will be ready to "take it on the road" after that. The purpose of this library is to continue Alvin’s work, to work with and study the history and culture of American Indians and the exciting and complex history of the West. Again, if you would like a breakdown of #2, please let me know and I will send it to you now in draft and later as it is finalized.
In a nutshell, this is the state of things. I thank you for your support, apologize for not having been a better correspondent, and promise updates on a regular basis–once a month at least. Please call, email, or come by with your ideas and suggestions. Like everything Fishtrap, it will take many hands to do this work–but it will get done!
Sincerely yours,
Rich Wandschneider
Rich Wandschneider
Josephy Library
Fishtrap, Inc.
PO Box 38
Enterprise, Oregon 97828
541-426-3623
www.fishtrap.org
